“ I don’t like them,” my mother would say, “I don’t understand why Picasso can’t put eyes where they belong? And why does Modigliani have to stretch the truth?”
The art hanging on the walls in our house, when I was growing up, came from Italian ancestors and later from auction houses in Los Angeles where my father shopped. On my mother’s side, it was hung by interior designers who collected trending artists during the era when our grandfather’s Tudor house in Ohio was built, circa 1929. While there were line drawings, limited edition prints of hounds and flamingos, and oil landscapes ornately framed, there were no abstracts, no “modern” pieces.